Company

Choreography: José Antonio Ruiz
Music: Enric Palomar (original)
Costume Design: Sonia Grande
Set Design: Ricardo Sánchez Cuerda
Libretto: Enric Palomar and José Antonio (original)
Lighting Design: Juan Gómez Cornejo
Choreography and Stage Direction: José Antonio
Original idea and Script: Enric Palomar and José Antonio
Musical Director: Josep Caballé-Domenech
Musical Recording: Orquesta Ciudad de Granada
Assitant Choreographer and Guest Artist: Fernando Romero
Special collaboration: Miguel Ángel Espino
Musical Recording and Edition: José Vinader
Assitant Lighting Designer: David Hortelano
Assistant Costume Designer: Joaquín Montull
Stage Combat Master (Fight with Cudgels scene): Goyo Pastor
Costume Production (women): Taller en Escena, Pipa y Milagros
Costume Production (men): Claudio D’Avanzo in the Taller Petra Porter
Goya's trousers: Guarnicioneros Santamaría
Wings and masks of Capricho and Billy Goat: Javier Hernández and Pedro Rodríguez
Painting on Rey, Leocadia, soldiers and Witches Sabbath costumes: Taller de Chus
Fabric Dyeing: María Calderón
Caprichos Fabric Texturing: Angélica
Fabric texturizing for angels and period costumes of Caprichos (men): Marisa Echarri
Painting on costumes, tights and footwear of Caprichos and Fight with Cudgels props: Marisa Echarri
Set Production: Locura producciones, Mambo, Sfumato, Grid and May Cledin
Footwear: ArteFyl

The Sleep of Reason Produces Monsters
Darkness and the opening shadows move within a dreamlike musical atmosphere, from which Goya’s Caprichos emerge.

Leocadia before the Caprichos
Leocadia brings corporeality and realism. Her themes are profoundly feminine and lyrical, yet marked by an evident contained fury.

Leocadia and Goya (pas de deux)

The Disasters of War

The King and the Inquisition attempt to subdue Goya
The symbols of power follow one another in a slow procession: there is almost a sense of a macabre parade. The King and the Inquisition prevail.

Goya’s Despondency
Goya loses his way and is overcome.

Leocadia and Goya (pas de deux)
Leocadia is determined to take Goya to the refuge of exile.

The He-Goat
The He-Goat from the Witches’ Sabbath bursts onto the stage, once again splitting the real from the unreal. A summons to the Witches’ Sabbath, or an orgiastic dance.

Witches’ Sabbath

Leocadia and Goya’s Flight into Exile

Fight with Cudgels
As Goya and Leocadia withdraw, the fight with cudgels unfolds: our two Spains cannot overcome themselves; it seems, perhaps, as though it may never end.