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Estampas flamencas
La Unión
Rubén Olmo and Miguel Ángel Corbacho created these pieces, inspired by the style, aesthetic and character of Antonio Ruiz Soler. These choreographies explore traditional flamenco from its very origins, both in terms of costume and music. This exploration of the original singing, dancing and guitar playing draws on the flamenco styles typically found in Antonio’s work. It follows in the footsteps of the staging he used in his flamenco productions, with a more contemporary choreography.
Rubén Olmo and Miguel Ángel Corbacho have created four pieces inspired by Antonio Ruiz Soler’s style, aesthetic and character. These choreographies run through the history of traditional flamenco, all the way from its origins, a progression that is reflected in both the costumes and the music. This journey through the song, dance and music of primordial flamenco passes through the flamenco palos that are often found in Antonio’s work: the zorongo, the martinete, the taranto and the caracoles. It follows the blueprint for set design that he used in his flamenco performances, but with more modern choreography.
ESTAMPAS FLAMENCAS
Martinete
Zorongo
Seguiriya
Guajira
Caracoles
Taranto
Almoraima
Choreography: Rubén Olmo (Taranto, Seguiriya, Caracoles), Miguel Ángel Corbacho (Martinete and Zorongo).
Music: Martinete: traditional. Zorongo: Enrique Bermúdez, Taranto and Seguiriya: Diego Losada, Caracoles: Víctor Márquez
Texts: Federico García Lorca, Gabriel de la Tomasa, Juan Jose Amador and traditional lyrics
Set design and audiovisuals: José Maldonado
Lighting: Felipe Ramos
Costumes: Martinete: Lopez de Santos shirt, González trousers; Zorongo: BNE collection, Lina-style tailcoat made by Lina. Men: made by González; Seguirilla: Pedro Moreno, made by Ana Lacoma (women) and González (men); Taranto: made by José Antonio Arroyo; Caracoles: Justo Robles ‘Salao’ tailcoats.
Footwear: Gallardo
La Unión Antiguo Mercado Público. Catedral del Cante
